2023–2026

POP - ROCK

Lansingerland Live

Ranking

#1,079

Followers

14.5 K

✓ 2 documented editions — 11 artists have performed

Which one were you at (or going to)?

2 editions to explore · future, live and past

Fan service

Numbers, home base and house quirks

Documented editions22023–2026
Years of history9 yearssince 2018
Usual countryNetherlands

About the festival

Bergschenhoek is not a Gelderland lake. It is a Lansingerland village, a park named after Annie M.G. Schmidt, and a weekend that The Zoo Events treated as a living room grown too large. Anyone arriving in search of Lago Lago — Stroombroek, house, techno, a sheet of water in Montferland — has the wrong province. Here the ear is Dutch pop and rock, and the site is a municipal park, not a DJ campsite. On 8 and 9 June 2018 the grass filled twice: five thousand on Friday, ten thousand on Saturday.

Jiska Roewen, of The Zoo Events, said it in Saturday’s sun before Bløf and Chef’Special played: the site was sold out. They had to say no at the door. That sentence matters more than a press note. Lansingerland Live was not born as a circuit brand. It was born as a neighbourhood bash that fits a park: Friday, a nineties night — Vengaboys on the bill — Saturday, pop and rock with names South Holland already knows from the radio. Anyone picturing an Amsterdam open air has the wrong scale. Anyone picturing a house lake has the wrong map.

The Zoo Events programmes the park as if it were a sitting room. The gathering’s own notes call it the country’s largest living-room concert: a thesis of closeness, not of trophies. You arrive by bike, you follow the P signs, you leave the car if you must. Parking is limited. Public transport runs through Zoetermeer and Rotterdam metro. There is no capital after two streets away. The after is the park itself: a beer, a June sunset, a village that for two nights sounds louder than it sounds the rest of the year.

The experience follows the format. Friday asks for nostalgia and a chorus. Saturday asks for more volume and an ear for Dutch charts. By day the park is still a park: grass, trees, a children’s-author name that does not move. By night pop asks you to stay and rock asks for a singalong. Anyone who comes from the village and anyone who comes from Rotterdam share the same grass. There is no tent as contract. There is a day ticket, a combi if you want the weekend, and a municipal site that empties toward Lansingerland houses when the last chorus of the Saturday night has gone.

Lansingerland Live is not Lago Lago. That correction is not an archive footnote. Lago Lago is Braamt, a sheet of water, house and techno, a capacity that was lowered to fit. Lansingerland Live is Bergschenhoek, a Schmidt park, pop and rock, a nineties Friday and a Saturday of ten thousand. Mixing them is the error of anyone who only reads a water name or a village name and assumes one map. A reader who enters through Annie M.G. Schmidtpark deserves the right name: an outdoor sitting room, not a lake.

There is no need to invent a long list to explain the place. The place is explained by the park, by Roewen saying no at the door, by Vengaboys on a Friday and Bløf on a Saturday, and by a municipality that lent the grass to a local promoter. Anyone who treats the gathering as a lesser rehearsal of Pinkpop has the wrong dignity. A village park deserves the same prose as a Limburg compound. The Zoo Events lends the ear; Lansingerland lends the ground.

There is a useful contradiction: the festival sells itself as sitting-room intimacy and, at the same time, fills ten thousand heads on a Saturday. It does not apologise for the scale. It explains why that scale fits a Bergschenhoek park. Five thousand on Friday is not a brochure gesture. It is the thesis of a nineties night that does not pretend to be something else. Anyone working the site is not only passing staff. It is a Zoo team that treats the weekend as theirs.

Anyone who crosses the grass at Saturday dusk understands why this Lansingerland is not a Gelderland lake. You walk little and you hear close. The park still smells of June grass; the chorus asks for another singalong; the bike waits outside. Between 8 June 2018 and a sold-out Saturday, between Roewen and The Zoo Events, between pop and rock that fit the same Schmidtpark, South Holland had a festival that will not translate as a Stroombroek branch. The village lends the name. What remains is a sitting room that learned to be a park without ceasing to be of Lansingerland itself.

Official site · lansingerlandlive.nl

Social

Genres

POP

ROCK

Fact sheet

Usual month
June
Typical duration
2 days
Usual city
Bergschenhoek
Organizer
The Zoo Events
First edition
2018

Timeline

One artist per year — highest ranked in our archive

Recurring artists

Those who appear most across this franchise's editions.

4
Dune

GERMANY

1 editions